Mentor Artist Tracy Eastman worked with Olive Elementary students through Youth in Arts’ Arts Unite Us residency program. Tracy says of her time: “I absolutely enjoyed teaching these two Visual Arts classes at Olive Elementary!”
Throughout the residency program, students worked on recognizing and understanding emotions, material exploration, and collaboration. In a special project called “Empathy Portraits”, Each student was given a standing mirror to look at themselves while they made various facial expressions. We would evaluate what our faces looked like discussed some of the possible emotions these expressions could signal, noticing what shapes our eyes, nose, mouth and even eyebrows make with that expression. All of the students really responded to this project, and in sharing facial expressions together, we were abel to connect with what emotion could look like on our own faces as well as those of our peers. This activity helped participants connect with their own reflections, which can be a big request for many students.
In subsequent classes, students worked with materials such as tempera paints using tempera watercolor cakes. In order to engage everyone, we used tools used of varying sized paint brushes and Q-tips. This project focused on color mixing and experimentation with lines, dots, and blending. The canvas board lent itself well to the students that tend to use a lot of pressure or rework one area of the painting many times. The Q-tips were a great adaptive tool for creating dots and small marks, and also bend and broke if the student used too much pressure, encouraging students to regulate their use of force. One of the classes had additional time for their paintings and so added colored pencil into the wet paint to see what would happen. Additional projects revolved around experimental application processes, such as the “Wandering Ink Painting” activity in which we applied ink on a water-treated paper surface and blew the ink around the canvas in order to create patterns.
We completed the residencies with a collaborative “Tape-Resist Tempera Stick Painting”, and tissue-paper landscapes inspired by gardens.
Mentor Artist Tracy Eastman says of her Arts Unite Us Residency at San Jose Middle School: “The students explored art in very creative ways!”
“Texture Collage Boards” — Our first class project was all about textures. Each student was given contact paper with the adhesive side up (secured to white foam board) and choices of textured materials to add. We discussed what the materials felt like and described the feeling it gave, (i.e. soft, bumpy, rough, smooth, noisy/crunchy, hard, etc.). We then took oil pastels and drew across many of the textures. As the last step, we covered the remaining sticky areas with magic gold transfer foil. Some of the classes removed the white foam board from the back of the artwork and displayed them in the window, while others left them with the white background and hung them on the wall.
Our second class project was making stained glass window kites, which focused on creating shapes, working within borders and cutting with scissors. The students were given the same set up of contact paper placed on a white foam board, but with different instructions. Each student was given four strips of black construction paper to create a diamond shape on their contact paper and were given additional strips to add anywhere within the diamond’s borders. Within the spaces of the black strips, the students placed square pieces of colored and patterned tissue paper to further decorate their kites. The students then smoothed on a top layer of contact paper to seal the pieces in place and then cut them out, staying on the outside of the black diamond borders. Most students needed assistance and/or adaptive scissors, which were provided by the classroom teachers. Lastly, the students taped a yarn tail with a tissue paper bow to complete their kites. All of the students held up their kites and pretended to fly them around the room before they were hung in the windows.
During this residency program, we also focused on creating various marks on watercolor paper with tempera watercolor cakes and an array of adaptive tools. The tools ranged from paint brushes with variously shaped handles, sponges, roller sponges, silicone stamps, etc. Prior to adding paint with the adaptive tools, the students drew on their paper with oil pastels to create resistance artwork. Together, we talked about oil and water resist each other and how the oil will fight with the watercolor to show through. The students improvised on making marks with different parts of each tool. One student even used the foam roller as a hammer and made small circles on his page. We used these skills to work on three-dimensional and two-dimensional projects throughout the residency.
These programs were made possible with support from the following sources:
Youth in Arts is excited to be teaching summer school at several sites and mentoring teachers to incorporate STEAM learning. As with all of our programs, our goal is to help students find their voices and share their stories. At Davidson Middle School, Mentor Artist Tracy Eastman is making murals with nearly 100 students. “They are student-driven murals created around the idea of community art as a change-making tool,” said Youth in Arts’ Program Director Kelsey Rieger. “Students brainstormed about world issues and what message they wanted to share with their community, and will be creating their murals based on the solutions they come up with.”
At Bahia Vista Elementary School, Mentor Artist Cathy Bowman is teaching literacy to incoming first graders through the arts. Using visual arts, movement and sound, the goal for students will be to increase their knowledge and understanding of certain words and sounds, and to ignite a passion for reading that will inspire them throughout the school year. Some projects include making letters with our bodies and creating letter monsters in special sketch journals, where students reflect on and write about their work. Each session includes a book with a story that reinforces words learned that day.
“Our summer work is an exciting outgrowth of the programs we provide year round, ” said Youth in Arts’ Executive Director Miko Lee. “We know students learn in multiple ways, and we are using the arts to find innovative ways to reach all learners.”
We are also working in partnership with Agency By Design to mentor nearly 20 teachers who attended the STEAM professional development workshop recently with Youth in Arts, the Marin County Office of Education and other STEM experts. Those teachers are working this summer at Davidson, Lu Sutton Elementary School and San Jose Middle School.
The teachers were among the more than 60 educators who attended the weeklong STEAM program, which looked at how the environment impacts people and how people impact the environment. We asked K-12 teachers to envision how they could teach the California Environmental Principles and Concepts.
At Cascade Canyon, the theme of the 2018-2019 school year was “iterations.” Mentor artist Tracy Eastman worked with 7th and 8th graders over the course of eight weeks through our Artists in Schools residency program to build on this theme with project-based work in self-portraiture. Tracy shares: “We discussed how the students are at an age where self-identity is often being formed, reflected upon, and sometimes questioned. This was the notion that lead to having the students create self-portraits for our culminating art project.”
The project began with an exploration of color theory and painting techniques in order to provide a strong platform for understanding the artistic process. Each student mixed and created their own palette using only the primary colors, plus brown and white. They each created color tiles by combining complimentary colors and documenting the iterations of hues that were achieved. The students kept the color tiles for personal reference to assist them when creating hues for their portraits. The process of the self-portrait paintings began with each student being assigned a school iPad, with which they took a series of self-portrait photos to choose from.
Tracy then guided students through the process of applying an electronic grid over their photos using their iPads, which were then replicated manually by drawing the grid directly onto their canvases. Using the grid as a guide for shapes and proportions, the students sketched their portraits from their photo references.
They then used their knowledge of color theory and painting techniques to create skin tones and other hues to complete their self-portraits. Tracy remarks, “Each layer of paint changed the appearance of the paintings, creating various iterations throughout the process. While many students tried to create paintings that looked much like their photos, there were also some who decided to improvise and re-imagine aspects of their paintings to make them more personal.”
The portraits were hung and displayed in the school’s community room for the culminating event, showing each student’s self reflection and self expression. Great job Cascade Canyon!
More than 70 teachers, students, parents, and community members came out to celebrate the opening of the INSPIRE teaching artists exhibition at the YIA gallery on Friday, December 14th. The event, held as part of Downtown San Rafael’s Second Fridays Art Walk, celebrated artwork from 25 teaching artists throughout Marin County. The reception offered a rare opportunity for the featured artists to catch-up and share tricks of the trade. Their lively conversation, and vibrant artwork certainly brightened up the rainy evening. Thank you teaching artists for all you do!
By Mentor Artist Tracy Eastman
Short Elementary School’s 2nd and 5th grade “Green Team” were delighted to paint a large mural to brighten up their newly planted garden in the front of the school. Julie Ryan, the 2nd-grade teacher and leader of Green Team, and I decided the most fitting subject matter for the garden mural would be California native flowers, as that was what her students were currently studying. There was, however, a challenge with how and where to display a mural in their garden area. The portable building where the mural was to be painted was said to be transported to another school in the next couple years. For this reason, we opted for a portable mural that would be painted on two recycled vinyl banners. This would allow the 18-foot-long mural to be rolled up and transported to any new location.
By YIA Mentor Artist Tracy Eastman
This past winter I had the privilege of working with four fun and friendly San Rafael High School students on creating signage for the Youth in Arts C Street studio and gallery. The objective of the project was to design and create an eye-catching sign that grabs the attention of the public and invites them to come into the Youth in Arts studio to view and even create art.
The students first brainstormed how to visually portray what YIA is about (i.e. accessible art programs revolving around music, performing, and visual arts.) They proposed various ideas and discussed the effectiveness of using certain visuals. The students continued editing their ideas further until they had collaborated a harmonious design and composition.
Not having much experience using paints, the students spent some time familiarizing themselves with basic painting techniques before applying paint to the final surface. We decided to paint the sign’s design on a canvas using acrylic paints and then have the image digitally reproduced with the Youth in Arts logo printed directly onto a sandwich board sign to be placed outside the YIA studio.
The final design of the sign (prior to the digital reproduction) was comprised of colorful music notes dripping with wet paint, theater masks, a violin with a pencil for a bow, a paint-filled drum being played with paintbrushes, and vibrant piano keys atop a pastel rainbow background. The bold lines and pops of color will definitely grab the attention of the viewers and draw them in to learn more. The art students fully enjoyed learning what it was like to design and paint like artists, wearing their smocks, using traditional painting palettes and techniques, and thoughtfully orchestrating their physical working positions to allow all four artists to work on the same canvas simultaneously.