This Spring, Youth in Arts Mentor Artist Eddie Madril brought the music, arts and culture of Native American dance to Hamilton Middle School. Part of the Pascua Yaqui tribe of Southern Arizona and Northern Sonora Mexico and active member of the Native American community, Eddie represents his culture as a dancer, singer, teacher, playwright and filmmaker and brings these skills with him to every school site he visits.
During his time at Hamilton, Eddie shared singing and dance with students as part of a special assembly to 6th through 8th grade students. Teachers were able to tie the curriculum to core Social Studies learning goals and valued the opportunity as much as their students did. Throughout the performance, Eddie explained the origins of movements in each dance, contextualized Native American History and the ongoing effects that state and national laws and regulations have on the 567 federally recognized tribes throughout the country, and offered a new perspective on the narratives we’re taught in school.
Following the assembly, Eddie visited the school’s two eighth grade classrooms to share more about his work. Students were given the opportunity to pose questions as a follow-up to some of the facts and experiences that Eddie shared during the performance, and participate in a hands-on workshop. During the workshop students, teachers, and school administrators were invited to learn different techniques for working with hoops. While demonstrating and guiding participants through the movements, Eddie shared important facts regarding how and why Hoop Dancing is an integral part of his Native experience, and the potential meanings that the symbol of the hoop encompasses.
Youth in Arts would like to provide a special thank you to the California Arts Council for their support of this program!
Youth in Arts kicked off an exciting semester of school-wide events at Olive Elementary School with two amazing days of dance and culture through our assembly and workshop program. Capoeira Mentor Artist Daniel Mattar and his International Capoeira Angola Foundation (ICAF) troupe spent a day with Olive Elementary School’s 3rd, 4th, and 5th grade students in early March, and Shahrzad Khorsandi and the Shahrzad Dance Ensemble led a fun and informative day of programming in April. In sharing the art of Capoeira with the students at Olive, Daniel and two additional Capoeira artists began by playing music on their hand-made Berimbaus made of gourds and one string, and a Pandeiros (tambourine) while engaging students in call and response songs in Portuguese. After their demonstration, they brought several kids up on stage to practice Capoeira while practicing their call and response songs.
Following the performance and demonstration, each 3rd-5th grade class participated in an interactive workshop led by Daniel and ICAF. We began with mastering the key movements and control necessary to take part in capoeira safely. Some of the movements that we learned were: Ginga, Aú, Balança, Macaco, and Negativa. We then put our new knowledge to use with team exercises and some games of capoeira with a partner!
During the second assembly with the Shahrzad Dance Ensemble, director Shahrzad Khorsandi and three members of the ensemble performed a special series of dances for the Persian New Year that had been choreographed and designed by Shahrzad over the last several years. Norouz (“New Day”), the Persian New Year, represents new beginnings, rebirth, and renewal. Shahrzad Dance Company’s Norouz program for 2019, Symbols of Love, brought into focus the true meaning behind this celebrated event and gave students the opportunity to learn about the music, traditions, and cultural relevance of the Iranian holiday today. Throughout the performance, dancers portrayed dynamic characteristics associated with the symbols of: Sabzeh (“Sprout”) which is symbolic for rebirth, Seeb (“Apple”) which is a symbol of health, Samanu (“Wheat Pudding”) which is a symbol of sweetness, Sekkeh (“Coins”) which is a symbol of wealth and prosperity, and Norouz (“New Day”).
Following the performance, participating classrooms returned for a hands-on workshop with Shahrzad. During the workshop, Sharhzad began by showing a map of the middle east in order to find Iran and talk about the geography of Iran/Persia and how this geography has affected the music and dances of each region. We then started with movements from Luristan in West Iran, followed by movements from Azerbaijan in Northwest Iran. During a brief break we learned the Beshkan, a one-handed Persian snap that creates a sound similar to snapping your fingers but much louder! After the break, we engaged in dance from the Bandar region near the Persian Gulf in Southern Iran and a Persian urban/social dance from Tehran, the capital, using contemporary Persian pop music. The students took turns coming out in the middle of the circle, 2 or 3 at a time, and practiced what they had learned throughout the day.
Youth in Arts is grateful for the collaboration of Principal Olynik, Olive Elementary’s exemplary 3rd-5th grade teachers, and the PTA for making these programs possible!
Shahrzad Khorsandi and her troupe of dancers brought two back-to-back Persian Dance assembly/workshop programs to a full house of West Marin County students at the Dance Palace on November 14th. Shahrzad and her dancers Kim Ganassin, and Sabine Tucker, began by introducing the audience to some basic movements of Persian Dance. They then asked a few students to join them on stage. The eager volunteers were visibly enjoying practicing their dance moves, as they followed the performers around the stage. Once the students were re-seated, the dancers began their beautiful performance of Shahrzad’s original piece entitled, Rainbow. The performance focuses on world peace and is comprised of six short dances connected together through audio narration. After the show, Shahrzad took questions from the audience.
The workshop portion of the morning, took place immediately following the performance. Shahrzad gathered the students in a large circle and passed out worksheets with a map of Iran, and a brief history of Persian Dance. She then guided the students through the different provinces of Iran, by showing a dance move specific to that area. While she danced she told the students more about the history of the region. Once she had shown them the various dances, she then invited the entire audience up to “dance around the country.” At the conclusion of the event she sat them down for one last lesson in the very complicated, two-handed “Persian Snap.” Though few were able to master the challenging move, the audience was in awe of her ability, and everyone was ready to practice at home.
A special thank you to the California Arts Council for their generous support of this program!
Alphabet Rockers’ Kaitlin McGaw and Tommy Shepherd put on a fantastic performance of their show Playground Zone: Diversity for the K–2nd graders at Glenwood Elementary in San Rafael. They performed several new songs from their recently released album, Rise Shine #Woke, which was created to to “interrupt racial bias inspire families to make change in the world.”
Students were encouraged to get up and learn the Hip Hop dances with the Alphabet Rockers. Everyone was on their feet, and the positive and powerful messages of the songs resonated with the young audience and teachers alike.
As a follow-up to the performance, Kaitlin and Tommy each taught more in-depth workshops in the 2nd grade classrooms. The students practiced the dances they’d learned in the assembly, and then broke down the songs to get more out of the content. Students were asked what they thought the songs with titles like Stand Up for You, and Shine meant. The responses were wonderful and demonstrated how clearly they got the messages. They said things like: “the song is about being friends with people of all different skin colors,” or “the song is about loving everyone no matter what.” Then the kids were asked to define some of the words in the songs, such as injustice. One student said, “Injustice means you are fighting for love.” Finally, they were asked if they feel we are treated differently based on how we look. Many of the students said no, but a couple raised their hands to indicate yes, not ready to share more. One said, “No. We shouldn’t be. We love all colors.”